Accurate Colour
Perhaps one of the most important aspects of art documentation and portfolio documentation is accurate colour. How do we ensure accurate colour?
Good Light
You need to start with good light. We use lights that produce the entire spectrum of visible light. If you don’t start by shining every colour on your artwork, you can’t reflect every possible colour.
Calibrated
We use a colour target with known colours. We take a picture of the target in the same lighting conditions as the artwork. That way we can calibrate the colours in the final digital image to be as similar as possible to the colours in your artwork.
Top Gear
Our cameras have one of the best sensors available for dynamic range and colour depth. We also use some of the best lenses available with the least distortion and artifacts.
Reflection Control
We use a unique lighting setup that allows us to carefully control reflections.
Under Glass
In most cases we can photograph your artwork after it has been framed. Our special reflection control system allows us to make the reflections on glass just disappear.
Varnish and Resin
Taking pictures of work that has glossy varnish or resin can be very challenging. Reflections can be distracting as well as wash out or change colours in your artwork. We can totally eliminate reflections from glossy work.
Convenience
We know you’re busy. We can work on location and with your schedule.
On Location
We’re available to come to you, whether it’s in your studio, gallery, home or other location.
Flexible
We’re professional photographers and we can document your work in a way that is convenient for you. We offer a full range of shoots to cover all your needs: portfolio, installation view, and even event photography at openings.
We are experienced at shooting many media including painting, photography, sculpture, video and performance. If it’s creative we document it.
Real-time Preview
While we’re shooting your work you can preview the shots as we take them so that you can be sure we’re getting the shot you need, the way you like.
Reasonable Prices
We have affordable packages that make it easy to document your artwork.
Contact us for more information [wpml_mailto email=”[email protected]”][email protected][/wpml_mailto]
Art Specialists
We are artists
Examples
A big thank you to all the incredible artists who have kindly allowed us to show their artwork as examples of our documentation work. I encourage everybody to look at their websites and explore their work further. Naturally, all work displayed here is copyright to the artists unless they explicitly say it’s not, and should not be re-used without their permission.
Kevin Flood (www.floodart.com)
Kevin Flood’s encaustic work is a perfect example of the benefits of Bell’s reflection control system. With our system we are able to eliminate unwanted light glare off the highly reflective surface, but are able to dial in strategic reflection where needed to show the texture of his work.
- Encaustic 32″ x 36″ – www.floodart.com
- Encaustic 18″ x 96″ – www.floodart.com
- Encaustic 48″ x 48″ – www.floodart.com
- Encaustic 36″ x 36″ – www.floodart.com
- Encaustic 32″ x 36″ – www.floodart.com
Joseph Staples/Office Supplies Incorporated (www.officesuppliesincorporated.com)
Joseph Staple’s installation at Malaspina Printmakers is an good example of Bell’s versatility. Here we captured the details of his printing screens, the thin reflection of his metal cuts on lithographic plates, the arrangement of his work, and the way his video installation interacted with the shape of the gallery.
- installation View – at Malaspina Printmakers – www.officesuppliesincorporated.com
- installation View – at Malaspina Printmakers – www.officesuppliesincorporated.com
- at Malaspina Printmakers – www.officesuppliesincorporated.com
- detail view – at Malaspina Printmakers – www.officesuppliesincorporated.com
- at Malaspina Printmakers – www.officesuppliesincorporated.com
- detail view – at Malaspina Printmakers – www.officesuppliesincorporated.com
- at Malaspina Printmakers – www.officesuppliesincorporated.com
- detail view – at Malaspina Printmakers – www.officesuppliesincorporated.com
- installation view – at Malaspina Printmakers – www.officesuppliesincorporated.com
- at Malaspina Printmakers – www.officesuppliesincorporated.com
- detail view – at Malaspina Printmakers – www.officesuppliesincorporated.com
- at Malaspina Printmakers – www.officesuppliesincorporated.com
- detail view – at Malaspina Printmakers – www.officesuppliesincorporated.com
- at Malaspina Printmakers – www.officesuppliesincorporated.com
Zoe Hodgson (www.zoehodgson.ca)
Zoe Hodgson’s paintings give us an example of what we can do with work that is already installed in a work environment. Here we brought our reflection control lighting system to the location, and eliminated unwanted glare but captured the texture of even the most delicate brush strokes.
- www.zoehodgson.ca
- www.zoehodgson.ca
- www.zoehodgson.ca
- www.zoehodgson.ca
- www.zoehodgson.ca
- www.zoehodgson.ca
- www.zoehodgson.ca
- www.zoehodgson.ca
- www.zoehodgson.ca
- www.zoehodgson.ca
- www.zoehodgson.ca
- www.zoehodgson.ca
- www.zoehodgson.ca
- www.zoehodgson.ca
- www.zoehodgson.ca
- www.zoehodgson.ca
- www.zoehodgson.ca
- www.zoehodgson.ca
- www.zoehodgson.ca
- www.zoehodgson.ca
- www.zoehodgson.ca
- www.zoehodgson.ca
Gregg Steffensen (www.greggsteffensen.tumblr.com)
Gregg Steffensen’s transfers make for a good demonstration of Bell’s lighting control system in action. Here we are able to capture the multiple translucent layers on his glossy coated wood panels and get detail in the blacks of his smaller pieces without any unwanted glare.
- www.greggsteffensen.tumblr.com
- www.greggsteffensen.tumblr.com
- www.greggsteffensen.tumblr.com
- www.greggsteffensen.tumblr.com
- www.greggsteffensen.tumblr.com
- www.greggsteffensen.tumblr.com
Jeff Hallbauer
Jeff Hallbauer’s vibrant and colourful work shows how Bell’s exacting colour calibration practices consistently get the best results.
























































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